Das Theaterkolleg: Towards an ‘Economy for the Common Good’ in the independent performing arts

A compass for sustainability

Many people in the cultural sector would like to lead a fairer, more sustainable life. But what does that mean exactly? What is sustainability? And how can we as cultural artists use resources in a targeted, efficient way to become more sustainable?

To find a comprehensive answer to these questions, the Theaterkolleg and two independent theatre collectives have drawn up a common good balance sheet for their operations and groups, thereby applying the Economy for the Common Good in the Swiss cultural sector for the first time.

They analysed which areas are particularly helpful for culture and translated economic terms into our everyday working lives. When first encountered on the balance sheet, the Economy for the Common Good is highly time-consuming and financially intensive. It requires a lot of reading and writing and a basic understanding of business administration. The business jargon must be translated for the cultural sector and adapted to the company’s own situation. Artists and art workers struggle with these hurdles.

This project is now adopting a more direct approach to the principles of the Economy for the Common Good. This has resulted in the development of a compass that collectives and artists from the independent performing arts can use to assess their progress, how they can achieve more sustainable production, and where the greatest room for improvement lies.

The goal is to enable the principles of the Economy for the Common Good to be incorporated into their own day-to-day working practices using tried-and-tested tools.

People involved

Current:

Mirjam Berger, Das Theaterkolleg – Production Office for Independent Performing Arts, Lucerne

Madleina Cavelti, Das Theaterkolleg – Production Office for Independent Performing Arts, Lucerne

Patric Gehrig, Das Theaterkolleg – Production Office for Independent Performing Arts, Lucerne

Christoph Fellmann, author, Lucerne

Saskya Germann, stage designer, Lucerne

Nina Halpern, director, Lucerne

Birgitt Künzler, costume designer, Lucerne

 

Prior project phase:

Mirjam Berger, co-manager, Das Theaterkolleg, Lucerne

Christina Teuber, co-manager, Das Theaterkolleg, Lucerne

Ralf Nacke, consultant for business and Economy for the Common Good

Patric Gehrig, Bureau Substrat, freelance actor / producer / director, Lucerne

Béla Rothenbühler, Kollektiv Fetter Vetter, freelance author / dramaturge, Lucerne

Damiàn Dlaboah, Kollektiv Fetter Vetter, freelance director, Lucerne

Das Theaterkolleg

Das Theaterkolleg is a production office for independent performing arts for Central Switzerland based in Lucerne. They support over 25 artists and groups with organisational and administrative tasks – from initial concept to the final invoice.

 

 

far° fabrique et festival des arts vivants Nyon: PERMA-CULTURE

a permacuratorial, artistic experiment

The far° fabrique et festival des arts vivants Nyon team – in collaboration with permaculture practitioners, artists and scientists – draw inspiration from permaculture in order to reflect on and make changes to how they work. In the form of a laboratory, we will start by getting our hands dirty and then transpose some permaculture principles to how we organise far°. We hope to develop a new collective practice, both concrete and symbolic in nature, not only in our curatorial work, but also in our support for artists.

By drawing inspiration from ethical care, a concept that underpins permaculture, we hope to rethink and reformulate the way in which we work and our activity cycles in order to integrate matters of environmental and social sustainability into, as well as leave a noticeable, intellectual and artistic mark on, how far° is run. 

We will share our investigations and visions in the form of a manifesto, detailing a permacultural institution that other teams can draw inspiration from, in order transform the world of performing arts together.

People involved

Anne-Christine Liske (direction)

Thomas Brodmann (logistics and production)

Nathalie Garbely (cultural participation and production)

Anne Laroze (communications and press, 2023)

Ana Isabel Mazon (communications and press, 2022)

Doris Naclerio (administration)

Sofia Papaefthymiou (communications assistant, 2022)

Sophie Tschachtli (accueil)

in collaboration with: Leila Chakroun (PhD in environmental sciences and permaculture), Clément Demaurex (expert in organizational transformation), Gregory Stauffer (artist-choreographer, pedagogue)

and with the complicity of: Victor Bovy and the team at Perma-Jardin La Ferme de Pré-Martin in Morges – Shannon Cooney (choreographer, craniosacral practitioner, permaculture gardener) and the participants in the HIVE multidisciplinary and collaborative residency: Marion Baeriswyl and D.C.P., Lea Samira Bernath, Leila Chakroun, Maria da Silva, Amaranta Fontcuberta, Anne-Laure Franchette, Laura Gaillard, Robbie l’Anson Price, Christoph Leuenberger, Tanja Saban, Eileen WileySonja Jokiniemi (choreographer, art therapist)

More information

far-nyon.ch

Photo: © Matthias Steffen