{"id":9254,"date":"2024-02-16T12:33:09","date_gmt":"2024-02-16T11:33:09","guid":{"rendered":"https:\/\/www.m2act.ch\/?post_type=toolbox&#038;p=9254"},"modified":"2024-02-16T12:33:09","modified_gmt":"2024-02-16T11:33:09","slug":"disrupting-harm-in-dance","status":"publish","type":"toolbox","link":"https:\/\/www.m2act.ch\/fr\/toolbox\/disrupting-harm-in-dance\/","title":{"rendered":"Disrupting Harm in Dance"},"content":{"rendered":"\n<h3 class=\"wp-block-heading\">Lutte contre les abus dans la danse<\/h3>\n\n\n\n<p>\u00abDisrupting Harm in dance\u00bb est un cours en ligne en autoapprentissage mis en place par <a href=\"https:\/\/whistlewhileyouwork.art\/\" target=\"_blank\" rel=\"noreferrer noopener\">Whistle<\/a> en collaboration avec de nombreux expert-e-x-s du monde de la danse comme Crip Movement Lab, The Dance Union, J.\u00a0Bouey, et OFEN Co-Arts. Ils proposent des informations et des outils permettant aux danseur-euse-x-s, aux artistes-interpr\u00e8tes et aux professionnel-le-x-s du milieu de travailler ensemble tout en se sentant en s\u00e9curit\u00e9, connect\u00e9-e-x-s et responsabilis\u00e9-e-x-s.<\/p>\n\n\n\n<p>Whistle est une plateforme internationale fond\u00e9e en&nbsp;2017 par Frances Chiaverini et Robyn Doty qui vise \u00e0 lutter contre les pr\u00e9judices li\u00e9s au genre dans les espaces de travail de la danse, ainsi que contre d\u2019autres formes de discrimination et d\u2019abus. Leurs offres actuelles comprennent des ressources et des r\u00e9f\u00e9rences qui promeuvent un syst\u00e8me de soutien holistique pour un changement de culture de la danse.<\/p>\n\n\n<div class=\"wp-bootstrap-blocks-row row\">\n\t\n\n<div class=\"col-12 col-md-8\">\n\t\t\t\n\n    <div id=\"text-shadow-box-block_5357eda8afc69ad87bcf151f51900cda\" class=\"mod-text-shadow-box\" data-scheme=\"black\">\n\t\t<h3>\u00c0 qui s\u2019adresse ce cours?<\/h3>\n<p>Le contenu du cours s\u2019adresse avant tout aux danseur-euse-x-s.<\/p>\n<p>Les danseur-euse-x-s, professeur-e-x-s de danse, chor\u00e9graphes, metteur-euse-x-s en sc\u00e8ne en sc\u00e8ne, r\u00e9p\u00e9titeur-rice-x-s, ainsi que les assistant-e-x-s et les personnes travaillant dans l\u2019administration et la production de danse peuvent tous-tes b\u00e9n\u00e9ficier d\u2019\u00e9l\u00e9ments de ces ressources.<\/p>\n    <\/div>\n\n\t<\/div>\n\n\n\n<div class=\"col-12 col-md-4\">\n\t\t\t\n\n    <div id=\"text-shadow-box-block_d1365e692d39bb3c81a971b21464bf8e\" class=\"mod-text-shadow-box\" data-scheme=\"yellow\">\n\t\t<h3>Tags<\/h3>\n<p>#communaut\u00e9 de danse #pratiques \u00e9quitables #apporter le changement #empouvoirement #s\u2019exprimer<\/p>\n<p>&nbsp;<\/p>\n    <\/div>\n\n\t<\/div>\n\n<\/div>\n\n\n\n    <div id=\"text-shadow-box-block_34b0ca16ed511bb4222218636ee33296\" class=\"mod-text-shadow-box\" data-scheme=\"white\">\n\t\t<h3>En quoi consiste ce programme de formation?<\/h3>\n<p>Ce programme offre un large \u00e9ventail d\u2019outils, de cours en ligne, de vid\u00e9os, de conf\u00e9rences, de fiches de travail, de mat\u00e9riel pour ateliers, ainsi que de nombreux contacts d\u2019expert-e-x-s sur le plan international.<\/p>\n<p><strong>Crip Movement Lab<\/strong><\/p>\n<ul>\n<li>Une m\u00e9thodologie critique pour la pratique, l\u2019enseignement et la cr\u00e9ation d\u2019une danse \u00e0 la fois accessible et inclusive<\/li>\n<\/ul>\n<p><strong>The Dance Union<\/strong><\/p>\n<ul>\n<li>D\u00e9manteler la supr\u00e9matie blanche<\/li>\n<\/ul>\n<p><strong>J Bouey<\/strong><\/p>\n<ul>\n<li>Somatic Astrology for Dancers Guide (Guide d\u2019astrologie somatique pour les danseur-euse-x-s)<\/li>\n<\/ul>\n<p><strong>Plateforme OFEN Co-Arts<\/strong><\/p>\n<ul>\n<li>Embodying Anti-Capitalist Process (Incarner le processus anticapitaliste)<\/li>\n<li>Levelling Hierarchy in Dance (Niveler la hi\u00e9rarchie dans la danse)<\/li>\n<li>Support and Universal Access (Un soutien et un acc\u00e8s universel)<\/li>\n<li>Speaking Up as an Act of Care (La prise de parole en tant qu\u2019acte de soin)<\/li>\n<\/ul>\n<p><strong>Whistle<\/strong><\/p>\n<ul>\n<li>Messy talks (Discussions d\u00e9sordonn\u00e9es): une bo\u00eete \u00e0 outils pour la discussion<\/li>\n<li>Boundaries and Consent: A Worksheet (Limites et consentement: une feuille de travail)<\/li>\n<li>Working with Consent (Travailler avec le consentement)<\/li>\n<li>When Considering Touch (for Teachers, Choreographers) (Quand toucher est-il appropri\u00e9 (pour les enseignant-e-x-s, les chor\u00e9graphes))<\/li>\n<li>On publicly asking, \u00abWho doesn\u2019t pay?\u00bb (Questionnement publique sur \u00abQui ne paie pas?\u00bb)<\/li>\n<li>Practical Tips for Talking to a Journalist [About Your Abuse] (Conseils pratiques pour parler [de la mani\u00e8re dont vous avez \u00e9t\u00e9 abus\u00e9-e-x] \u00e0 un-e-x journaliste)<\/li>\n<li>Signs of an Emotionally Abusive Choreographer (Signes indiquant un-e-x chor\u00e9graphe \u00e9motionnellement violent-e-x)<\/li>\n<li>Providing (Self) Care (Procurer des (auto)soins)<\/li>\n<li>Writing an Impact Statement (R\u00e9diger une d\u00e9claration d\u2019impact)<\/li>\n<li>When Considering Accountability (Quand envisager la responsabilisation)<\/li>\n<li>CARA\u2019s Model of Accountability: A Worksheet (Le mod\u00e8le de responsabilit\u00e9 CARA: feuille de travail)<\/li>\n<\/ul>\n<p>&nbsp;<\/p>\n    <\/div>\n\n\n\n    <div id=\"text-shadow-box-block_2175811e08349db31a909d45578bf8e2\" class=\"mod-text-shadow-box\" data-scheme=\"black\">\n\t\t<h3>Pourquoi ces ressources sont-elles n\u00e9cessaires?<\/h3>\n<p>La culture de la danse est dysfonctionnelle. Elle est fond\u00e9e sur la promotion et la r\u00e9compense de la subordination et de la soumission dans la danse. Elle peut priver les danseur-euse-x-s de leur autonomie, de leur intuition ainsi que de leur propre sens des valeurs au profit d\u2019id\u00e9aux \u00e9troits de discipline, de perfection et de virtuosit\u00e9. Les danseur-euse-x-s victimes d\u2019abus manquent cruellement de soutien au niveau institutionnel.<\/p>\n    <\/div>\n\n\n<div class=\"wp-bootstrap-blocks-row row\">\n\t\n\n<div class=\"col-12 col-md-4\">\n\t\t\t\n\n    <div id=\"text-shadow-box-block_1a1973d621ec112a8446859f7e6776af\" class=\"mod-text-shadow-box\" data-scheme=\"yellow\">\n\t\t<h3>T\u00e9l\u00e9charger\/Lien<\/h3>\n<p>Toues les ressources sont disponibles en anglais.<\/p>\n<p><a href=\"https:\/\/disruptingdance.com\/\" target=\"_blank\" rel=\"noopener\">disruptingdance.com<\/a><\/p>\n<p><a href=\"https:\/\/disruptingdance.com\/wordpress\/wp-content\/uploads\/2024\/Whistle-Disrupting-Harm-in-Dance_Final.pdf\" target=\"_blank\" rel=\"noopener\">T\u00e9l\u00e9charger le manuel au format PDF<\/a><\/p>\n    <\/div>\n\n\t<\/div>\n\n\n\n<div class=\"col-12 col-md-8\">\n\t\t\t\n\n    <div id=\"text-shadow-box-block_81202218c91ab374ce0dbd98253e0156\" class=\"mod-text-shadow-box\" data-scheme=\"white\">\n\t\t<h3>\u00c0 quoi peuvent servir ces ressources?<\/h3>\n<p>Ces ressources peuvent \u00eatre utilis\u00e9es pour aider les personnes travaillant dans des institutions \u00e0 mieux soutenir les artistes de la danse en leur donnant de la cr\u00e9dibilit\u00e9, en lan\u00e7ant des proc\u00e9dures de plainte priv\u00e9es et en cr\u00e9ant des environnements nourrissants et ax\u00e9s sur le bien-\u00eatre.<\/p>\n    <\/div>\n\n\t<\/div>\n\n<\/div>\n\n\n\n    <div id=\"text-shadow-box-block_291fd38bda4118f844ee03354cdd45aa\" class=\"mod-text-shadow-box\" data-scheme=\"white\">\n\t\t<h3>Impressum<\/h3>\n<p>Whistle<\/p>\n<p><a href=\"https:\/\/disruptingdance.com\/\" target=\"_blank\" rel=\"noopener\">disruptingdance.com<\/a><\/p>\n<p><a href=\"https:\/\/whistlewhileyouwork.art\" target=\"_blank\" rel=\"noopener\">whistlewhileyouwork.art<\/a><\/p>\n<p>Remarque: ces ressources sont gratuites pour les danseur-euse-x-s individuel-le-x-s. Si ce cours est utilis\u00e9 au niveau institutionnel, une donation \u00e0 Whistle et\/ou aux collaborateur-rice-x-s impliqu\u00e9-e-x-s dans l\u2019\u00e9laboration du cours devrait \u00eatre envisag\u00e9e. Whistle recommande vivement de rencontrer les contributeur-rice-x-s en ligne ou dans la vie r\u00e9elle, de consulter leurs catalogues d\u2019\u0153uvres respectifs, de r\u00e9server une prestation et de les engager!<\/p>\n    <\/div>\n","protected":false},"featured_media":9266,"template":"","categories":[163],"class_list":["post-9254","toolbox","type-toolbox","status-publish","has-post-thumbnail","hentry","category-cours-en-ligne"],"acf":[],"yoast_head":"<!-- This site is optimized with the Yoast SEO plugin v27.2 - https:\/\/yoast.com\/product\/yoast-seo-wordpress\/ -->\n<title>Disrupting Harm in Dance - M2ACT<\/title>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/www.m2act.ch\/fr\/toolbox\/disrupting-harm-in-dance\/\" \/>\n<meta property=\"og:locale\" content=\"fr_FR\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"Disrupting Harm in Dance - M2ACT\" \/>\n<meta property=\"og:description\" content=\"Lutte contre les abus dans la danse \u00abDisrupting Harm in dance\u00bb est un cours en ligne en autoapprentissage mis en place par Whistle en collaboration avec de nombreux expert-e-x-s du monde de la danse comme Crip Movement Lab, The Dance Union, J.\u00a0Bouey, et OFEN Co-Arts. 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