{"id":11103,"date":"2025-04-14T15:36:11","date_gmt":"2025-04-14T13:36:11","guid":{"rendered":"https:\/\/www.m2act.ch\/?post_type=projects&p=11103"},"modified":"2026-02-11T09:54:23","modified_gmt":"2026-02-11T08:54:23","slug":"fit-for-the-future","status":"publish","type":"projects","link":"https:\/\/www.m2act.ch\/fr\/projects\/fit-for-the-future\/","title":{"rendered":"FIT Festival Internazionale del Teatro e della scena contemporanea \u2013 Lugano: FIT for the future"},"content":{"rendered":"\n

FIT for the Future <\/em>est un projet de transformation et d\u2019accompagnement curatoriel d\u2019une dur\u00e9e de trois ans, con\u00e7u pour devenir un mod\u00e8le de r\u00e9f\u00e9rence dans le panorama artistique. N\u00e9 dans le contexte particulier du Canton du Tessin, territoire caract\u00e9ris\u00e9 par des ressources extr\u00eamement limit\u00e9es, ce parcours entend r\u00e9pondre \u00e0 un besoin profond de renouvellement, non seulement dans la forme mais aussi dans la m\u00e9thode. Concr\u00e8tement, FIT for the Future <\/em>aborde les questions suivantes : Comment garantir qu\u2019un r\u00e9seau fortement li\u00e9 \u00e0 une seule personne \u2013 compos\u00e9 de partenaires, de soutiens et de public.que.s \u2013 puisse \u00eatre transmis \u00e0 celle.eux qui prendra la rel\u00e8ve ? Comment assurer le transfert de connaissances en vue d\u2019un changement de direction, par exemple en particulier, avec le passage d\u2019une direction individuelle \u00e0 une co-direction et puis, \u00e0 nouveau, \u00e0 une direction individuelle ?<\/p>\n\n\n\n

Dans une r\u00e9gion o\u00f9 souvent le soutien institutionnel \u00e0 la culture ind\u00e9pendante est sous-dimensionn\u00e9 et o\u00f9 souvent les m\u00e9tiers li\u00e9s \u00e0 la culture ind\u00e9pendante ne sont pas con\u00e7us comme une profession, FIT for the Future <\/em>veut r\u00e9affirmer qu\u2019un festival n\u2019est pas un privil\u00e8ge, mais un service pour la collectivit\u00e9, un moteur culturel et \u00e9conomique pour la r\u00e9gion.<\/p>\n\n\n\n

Le projet ne se concentre pas sur la simple substitution d\u2019une figure directive par une autre, mais s\u2019interroge sur comment ce passage se produit : sur le processus, sur le soin, sur la possibilit\u00e9 r\u00e9elle de construire ensemble un contexte de travail sain, libre de dynamiques toxiques, de comp\u00e9titions et de pressions. Le changement de leadership est donc compris comme un mouvement interne, relationnel, progressif : un temps d\u2019apprentissage r\u00e9ciproque, de construction partag\u00e9e, de co-curation.<\/p>\n\n\n\n

L\u2019objectif est de tester un mod\u00e8le de transition durable, sans pr\u00e9d\u00e9terminer les d\u00e9lais ou l\u2019issue finale. La direction artistique de Paola Tripoli, avec l\u2019artiste et metteur en sc\u00e8ne Simon Waldvogel \u2013 qui a d\u00e9j\u00e0 collabor\u00e9 au fil des ann\u00e9es avec le FIT <\/em>\u2013 et l\u2019\u00e9quipe du festival, s\u2019engagera dans un passage en fondu, o\u00f9 la figure sortante accompagne graduellement l\u2019entr\u00e9e de la nouvelle, favorisant un changement organique et sans fractures.<\/p>\n\n\n\n

Le FIT,<\/em> ces derni\u00e8res ann\u00e9es, a toujours plac\u00e9 au centre de sa vision l\u2019id\u00e9e que le th\u00e9\u00e2tre n\u2019a de sens que s\u2019il est v\u00e9cu comme un processus qui cr\u00e9e une communaut\u00e9. C\u2019est pr\u00e9cis\u00e9ment son humanisme qui le rend radicalement diff\u00e9rent d\u2019autres domaines. FIT for the Future <\/em>se d\u00e9place dans la m\u00eame direction : comme tout processus authentique, il porte avec lui le risque de l\u2019erreur mais aussi la promesse de la d\u00e9couverte. C\u2019est un exercice d\u2019exp\u00e9rimentation, ouvert, fluide et conscient de ses contradictions, qui veut offrir au monde des arts sc\u00e9niques \u2013 et pas seulement \u2013 un mod\u00e8le inspirant, capable de \u00ab r\u00e9g\u00e9n\u00e9rer sans couper \u00bb.<\/p>\n\n\n\n

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Personnes impliqu\u00e9es<\/strong><\/p>\n

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Paola Tripoli, <\/strong>direction artistique<\/p>\n

Simon Waldvogel,<\/strong> b\u00e9n\u00e9ficiaire du projet<\/p>\n

En collaboration avec l\u2019\u00e9quipe du FIT<\/strong><\/p>\n

Katia Gandolfi,<\/strong> assistante et responsable des projets sp\u00e9ciau<\/p>\n

Belma Dizdarevic de Marchi,<\/strong> secr\u00e9tariat et production<\/p>\n

En collaboration avec d\u2019autres institutions th\u00e9\u00e2trales nationales et internationales<\/strong><\/p>\n<\/div>\n <\/div>\n\n\t<\/div>\n\n\n\n

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Plus d\u2019informations<\/b><\/p>\n

Site Web<\/a>
\nInstagram<\/a>
\nFacebook<\/a><\/p>\n

 <\/p>\n

 <\/p>\n <\/div>\n\n\t<\/div>\n\n<\/div>\n\n\n\n

<\/p>\n","protected":false},"featured_media":11290,"template":"","categories":[319],"jahr":[],"class_list":["post-11103","projects","type-projects","status-publish","has-post-thumbnail","hentry","category-2028-2025-3"],"acf":[],"yoast_head":"\nFIT Festival Internazionale del Teatro e della scena contemporanea \u2013 Lugano: FIT for the future - M2ACT<\/title>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/www.m2act.ch\/fr\/projects\/fit-for-the-future\/\" \/>\n<meta property=\"og:locale\" content=\"fr_FR\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"FIT Festival Internazionale del Teatro e della scena contemporanea \u2013 Lugano: FIT for the future - M2ACT\" \/>\n<meta property=\"og:description\" content=\"FIT for the Future est un projet de transformation et d\u2019accompagnement curatoriel d\u2019une dur\u00e9e de trois ans, con\u00e7u pour devenir un mod\u00e8le de r\u00e9f\u00e9rence dans le panorama artistique. 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